“样板戏”研究的回顾与反思  

A Review of and Reflection on the Research on Peking Model Operas

作　　者：李松[1] 

机构地区：[1]武汉大学文学院,武汉430072

出　　处：《文化艺术研究》2014年第3期105-115,共11页Studies in Culture and Art

基　　金：笔者主持的国家社会科学基金重点项目子课题"审美文化产品的评价主体与评价理论研究"(项目编号:11CZX070);武汉大学人文社会科学"70后"学者学术团队项目"海外汉学与中国文学研究的新视野";武汉大学自主科研项目(人文社会科学);"中央高校基本科研业务费专项资金"资助项目阶段性成果之一

摘　　要：近五十年来,"样板戏"研究领域国内外学者众多、成果丰硕、视角较新。存在的主要问题是:史料发掘的范围和深度比较有限;思想观念上尚未完全摆脱政治偏见;思想方法上有待理论的抽象化和概念化;研究视野上缺乏古今贯通和中西交融。笔者基于近十年来对"样板戏"研究历史与现状的深入梳理、消化及研究方法论的探索,认为在如下六个方面有望进一步取得研究拓展:基本文献的整理、艺术谱系的追寻、政治美学的反思、创作思想的阐释、版本与改编的梳理、传播与接受的考察。In the past 50 years, there have appeared many scholars, redundant fruits and new per- spectives in the field of Peking model opera research. But there are still some problems as follows： the data involved are limited in width and depth; ideologically, they are bounded by political preju- dice ; methodologically, viewpoints should be abstracted and conceptualized ; in terms of scope, it is necessary to fuse the contemporary and ancient, the East and the West. Based on a profound review of the history and current situation of studies on model operas and explorations of the research methodology in the last 10 years, this paper argues that some progress may be made in the following six aspects： organizing basic dQcuments; pursuing the art genealogy; reflecting political aesthetics; in- terpreting their creation thoughts ; combing their editions and adaptations ; inquiring their communication and reception.

关 键 词：“样板戏” 文献 艺术 政治美学 创作 

分 类 号：J809.2[艺术—戏剧戏曲]