中国新诗“直接抒写”理念探微  

Concept of “Direct Expression”in Chinese Modern Poetry

作　　者：刘倩[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《湖北文理学院学报》2014年第7期61-64,共4页Journal of Hubei University of Arts and Science

摘　　要：诞生于轰轰烈烈的五四运动前后的新诗,在近百年历史中,出现了众多的诗群或流派,"直接抒写"一直以来都被当作汉语诗歌的写作理想。它作为一个诗学理念由来已久,但作为汉语诗歌真正的内在推动力,一直没有被系统地予以揭示。它是新诗叙述策略转型的重要表现,也是每一个时代"文学自觉"的反映。文章旨在对中国新诗中所表现出来的"直接抒写"理念进行探微,继而为新诗的诗歌理论建设添砖加瓦,也为新诗的创作指明方向。Chinese modern poetry which was born before and after the May Fourth Movement occurs in 31 poetrygroups or schools. ＂Direct expression＂ is regarded as writing ideal of Chinese poems all the time. However, as apoetic idea and the inherent driving force, it is not discussed systematically. ＂Direct expression＂ well embodiestransition of the narrative strategy of Chinese modern poetry and literary self - conciousness of every epoch. Thepurpose of this paper aims at studying the concept of direct expression of Chinese modern poetry, which leads tofurther understanding of theory construction of Chinese modern poetry.

关 键 词：中国 新诗 直接抒写 文学自觉 诗歌理论 

分 类 号：I207.25[文学—中国文学]