民国时期马万里绘画风格的衍变  

On the Evolution of Ma Wanli's Painting Style in time of the Republic of China

作　　者：马源 

出　　处：《艺术探索》2014年第4期117-121,共5页Arts Exploration

基　　金：2012年度文化部文化艺术科学研究项目"西部开发与边疆民族情境中的现当代广西美术文化研究"(12DF24)

摘　　要：南京美专时期,马万里在梁公约、陈师曾、陶冷月等影响下,逐步形成重写实、重设色、重画面构图的基本画风,走上真正的艺术创作之路。而上海汇集的各种新思潮,则促进了他对个人风格的进一步完善。20世纪40年代,他形成了极具独创性且不可复制的绘画风格。他以篆、隶笔法入画,构图巧妙,作品饱含寓意,具有鲜明的时代特征。Having been influenced by Liang Gongyue, Chen Shizeng and Tao Lengyue when Ma Wanli was in Nanjing Fine Arts Academy, he gradually formed a basic style which focused on realistic painting, colors and the picture composition, since then he embarked on the road of true artistic creation. Moreover, various trends of new thoughts from Shanghai improved his personal style deeply. In the 1940 s, he had formed a highly original painting style that cannot be copied. By using stroke as the seal character and official script, his masterpieces are loaded with implied meaning, and they had a distinctive time feature.

关 键 词：马万里 民国 风格 衍变 

分 类 号：J212[艺术—美术]