论雪漠“大漠小说”的异域情调  

Study on Exotic Cultures in Xue Mo's Desert Fictions

作　　者：许心宏[1] 储一鸣[2] 

机构地区：[1]安徽财经大学文学与艺术传媒学院,安徽蚌埠230030 [2]华中师范大学文学院,湖北武汉430072

出　　处：《山西大同大学学报（社会科学版）》2014年第4期55-59,共5页Journal of Shanxi Datong University(Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目(11YJC751099);安徽省高校省级优秀青年人才基金重点项目(2012SQRW060ZD)

摘　　要：根植于西部大漠地理空间,雪漠的"大漠三部曲"在对自然、动植物的民间化、传奇化书写中,沉潜着现代文明的反思与家园意识的建构。叙事策略上的文化空间间离与时间对峙的审美间距,生成的是敦实厚重的异域情调之美。对大漠村落的民间禁忌、方言土语、情爱悲歌的乡土本色书写,闪射出异域情调的文化忧郁意识。Rooted in geographical space in China western desert,Xue Mo＇s ＂desert trilogy＂ which narrated in the nature,animals and plants and folk legend, representing deeply the theme on the reconsideration of modern civilization and the construction of the home consciousness. Focusing on writer＇s narrative strategy in ＂desert trilogy＂,its prosperous and heavy beauty of exotic cultures came from the aesthetic distance,which originated from the alienation effect of cultural space and the confrontation of culture time. Moreover,the narration of folk taboo,dialect,love elegy deriving from the rural character in the desert reflected the sense of melancholy of exotic cultures.

关 键 词：自然 动植物 民间 审美间距 异域情调 

分 类 号：I207.42[文学—中国文学]