爱伦·坡小说中“美女”的多元身份解析  

On the Multi-Identities of the Beauties in Stories by Allen Poe

作　　者：李显文[1] 刘立辉[2] 

机构地区：[1]四川文理学院外国语学院,四川达州635000 [2]西南大学外国语学院,重庆400715

出　　处：《外语教学》2014年第6期77-81,共5页Foreign Language Education

基　　金：四川省教育厅人文社科重点项目"爱伦.坡小说的视觉化研究"(项目编号:14SA0138)的部分成果

摘　　要：缘于其美学主张,爱伦·坡在小说中塑造了众多美女形象,她们分别有着自己独特的身份,表现出不同的存在向度。丽姬娅是"天国之美"的化身,展示了精神美的永恒性;画家之妻被男性凝视成"半身晕映像",揭示了女性被客体化的真相;玛德琳具有强大的反叛力量,颠覆了封建男权大厦,可谓美国第一次女权运动的先行者。According to his aesthetics, Alien Poe created numerous beauties in his stories. These beauties have their own identity and orientation of life. Ligeia is the embodiment of Poe＇s ＂supernal beauty＂, who shows the eternality of ＂spirit aesthetics＂, the painter＇ s wife is the object gazed by male, who discloses the truth that the female is objected and Madeline is the revolutionary to the feudalism patriarchy, who highlights her powerful subversion and can be called the first pioneer in the history of women rights movement.

关 键 词：爱伦·坡 美女 身份 

分 类 号：I712.074[文学—其他各国文学]