吴历:文人、居士、天主教士与画家  

Wu Li: a Literati, a Lay Buddhist, a Catholic, and a Painter

作　　者：李倍雷[1] 

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《南京艺术学院学报（美术与设计）》2014年第5期20-29,7,共10页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：2013年度教育部人文社科基金"基于艺术学理论的中国艺术史学方法研究"(13YJA760022);"江苏省高校优势学科建设工程资助项目"

摘　　要：学界对吴历绘画受西法影响一直存有争议。一方面吴历洗礼入会,去澳门修道,接触到大量的西方艺术。对于一个"清六家"之一的画家来说,不但有诱惑,同时也会做出自己的文化判断和接受与否的文化态度。另一方面吴历极力学古,"出宋入元",以传统的绘画路径建立了自己的艺术特征与风格,奠定了在中国画史上的显著地位。这两方面的原因成为人们争论与探讨的焦点。然而,吴历是否接受西方绘画元素,主要以接受作品的对象而定,他送给西方传教士的作品,掺和了一定的西法元素,目的是为了考虑接受者的欣赏习惯和文化背景。相反吴历的其它作品较少或不采用西法元素。There has been dispute about Wu Li's painting being influenced by west painting methods. On the one hand, Wu Li got baptized and admitted to the Catholicism, and went to Macao to cultivate himself, and reached a lot of western art. For an artist as one of the 'Six Great Artists in the Qing Dynasty', he meted attraction and also had to make his cultural judgment and had is cultural attitude to accept or not. On the other hand, Wu Li tried extremely hard to learn from the ancient, and he 'painted well enough to compete with artists from Song and Yuan', and he established his own artistic character and style with the traditional painting path, and set his remarkable status in the Chinese painting history. The two causes became the focus of people's debate and discussion. However, if Wu Li accepted western painting elements was mainly decided by the objects who receive his works. His works sent to the western missionaries were with certain western elements, and his aim was to consider the receivers' appreciation habits and cultural background. On the contrary, his other works seldom or did not adopt western painting elements.

关 键 词：吴历 山水画 西法 透视 光源 

分 类 号：J203[艺术—美术]