闺阁内部的文学空间——论清代康熙时期的女性诗歌  

Literary Space in the Boudoir: Female Poetry in Kangxi Period of the Qing Dynasty

作　　者：吴琳[1] 

机构地区：[1]浙江大学人文学院,浙江杭州310026

出　　处：《中国石油大学学报（社会科学版）》2014年第5期76-80,共5页Journal of China University of Petroleum (Edition of Social Sciences)

摘　　要：康熙年间,是明清女性诗歌从"闺外"转向"闺内"的重要节点。这一时期的女诗人自觉在创作中实践着温柔敦厚的礼教要求与清新雅正的诗学宗尚,改变了晚明以来才女追求文人化、男性化的风尚,并以女性作者特有的深细视角与温婉情感书写家庭生活,在古代诗歌畛域内开辟了富于性别特色的文学空间。Female literal horizon which changed from the outside world to the bou doir in the poetesses of Kangxi period consciously obeyed the rules of female norms and the poetry criterion of elegant legitimism, and pushed female poetry developing toward a narrow field with gender characteristics. Consequently, the poetesses broke away from the man-like style in the period between the Ming and Qing Dynasties, developing a new literary world with distinct sex characteristics.

关 键 词：康熙时期 女性诗歌 文学空间 

分 类 号：I206.2[文学—中国文学]