丁善德钢琴创作晚期的艺术特色——试析《小序曲与赋格四首》之三“序曲-雀跃”  

DING SHANDE LATE PIANO WORKS' ART CHARACTERISTICS——THE ANALYSIS OF SMALL PRELUDE AND FUGUE FOUR SONG THREE OVERTURE-HAPPY

作　　者：韩璐[1] 

机构地区：[1]南阳师范学院音乐学院,河南南阳473061

出　　处：《南阳理工学院学报》2014年第5期90-93,共4页Journal of Nanyang Institute of Technology

摘　　要：钢琴套曲《小序曲与赋格四首》创作于改革开放之后,也是作曲家丁善德先生钢琴音乐创作晚期较有代表性的一首作品。本文以其中第三首序曲《雀跃》为例,从作品的结构、调性格局、创作技法等方面来探讨丁善德先生这一时期的创作风格和艺术特色及其对中国钢琴音乐发展所产生的影响。Piano divertimento Small Prelude and Fugue Four Song is written during the period of reform and opening up, and is also one of Ding Shande＇s representative piano music. Taking the third Overture happy as an example, the article discusses the workslstructure, tonal pattern and creation technique, then relates Ding Shande late workslcomposing style and artistic characteristics, as well as their impact on Chinese piano music development.

关 键 词：丁善德 钢琴创作 艺术特色 雀跃 

分 类 号：TN927.2[电子电信—通信与信息系统]