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作 者:张卫中[1]
出 处:《华文文学》2014年第5期80-84,共5页Literatures in Chinese
基 金:教育部人文社科一般项目"1949年以后大陆与台湾文学语言比较研究"(项目号:10YJA751112)
摘 要:台湾文学自光复以来取得了长足的进步,然而它的所有进步都是与语言的进步分不开的。台湾当代文学每个阶段的语言探讨都有其特殊的内容。在现代主义时期,白先勇、欧阳子等着眼于个人风格的创造,王文兴则通过颠覆既有的规范尝试语言变革的各种可能与底线;乡土文学的回归,不仅带来了乡土体验,也在将方言融之于国语方面做了有益的探讨;而在1980年代,新世代作家则通过对常态语言的偏离,探索了提高汉语表达功能的多种可能性。Since Restoration, Taiwan Residents literature has made great progress although none of it is separable from that of language. An exploration into the language of Taiwan Residents literature in each and every phase has its specific contents. In the modernist period, writers like Pai Hsien-yung and Ouyang Tzu emphasized literary creation in their own individualistic styles whereas Wang Wenxing attempted at various possibilities and bottom-lines of a linguistic reform by subverting the existing conventions. The return of rural literature(xiangtu wen xue )has not only brought in a rural experience (xiangtu tiyan )but has also provided a beneficial discussion on how to integrate dialects into Chinese (guoyu or national language ). And, in the 1980s, the new-generation writers explored the multiple possibilities of how to increase the expressibility of the Chinese language by deviating from the language in its normal state.
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