水浒故事源流中水浒戏的文体独立性  

On the Stylistic Independence of Shuihu Drama in the Story of The Water Margin

作　　者：胡以存[1] 

机构地区：[1]湖北理工学院师范学院,湖北黄石435003

出　　处：《湖北理工学院学报（人文社会科学版）》2014年第5期62-64,共3页Journal of Hubei Polytechnic University(Humanities And Social Sciences)

基　　金：湖北理工学院重点项目"战争的民间想象与叙事";项目编号:13sjr06A

摘　　要：水浒戏源自"宋江三十六人"传说,但它与今本《水浒传》关系如何,方家说法不一。戏曲、小说各有规律,不同文体间的文本比勘需要谨慎对待,不能简单地凭情节上的差异来判断二者的关系。因此,考察元杂剧在水浒故事源流中的地位,应考虑到不同叙事文体自身的特性。The relationship of The Water Margin and the Shuihu Drama, based on the Story of the Songjiang Thirty - six Men, is argued by many scholars. Drama and novel are two different arts, we can not determine the relationship between them simply by virtue of the differences in plots. Accordingly, the investigation of the position of Zaju in Yuan Dynasty in the Shuihu story needs to consider the features of different narrative styles proper.

关 键 词：水浒戏 文体独立性 水浒故事 

分 类 号：I237.1[文学—中国文学]