斯人斯文已成绝响——黄裳散文文体创新论  

On Stylistic Innovation Embodied in Huang Chang's Essays

作　　者：刘弟娥[1] 刘淑银[2] 

机构地区：[1]贺州学院文化与传媒学院,广西贺州542899 [2]贺州学院图书馆,广西贺州542899

出　　处：《贺州学院学报》2014年第3期72-77,共6页Journal of Hezhou University

基　　金：2013年度贺州学院博士科研启动基金项目(HZUBS201306);2014年广西教育厅科研项目(YB2014378)

摘　　要：黄裳散文主体由书话、游记以及怀人(评人)之文组成,其散文写作有继承前人的方面,如对书跋写作方式的继承,对"苦茶庵法脉"与"杂文风"风格的继承.。黄裳散文的价值在于为散文提供了新鲜的血液,将学术性写作转化为文艺性写作,具体体现在材料的转化上:学术材料转化为散文材料,将学术因子占据主位的书话转化为文化散文,史料掌故化、自然山水人文化以及人物群像化,这些均是是黄裳将"书"的资料转化为散文的主要方式,也是黄裳提供给散文文体新鲜的养料。Consisting of Book Bench of Huang Chang＇s essays, travel notes and people （critics） of composition, his essays had inherited some skills of predecessors, such as the manner of writing book colophon, the traditional methods of Bitter Tea Temples and the style of the essays, the value of Huang Chang＇s essays lies in its provision of fresh blood to essay writing, in the transferring the academic writing into literary writing, which manifest themselves in the followings： the transformation from academic materials into essay materials, from the writing of book colophon to that of essay; telling story based upon historical data, humanization of natural landscape, characterization, which offer fresh blood and nutrition to his essays.

关 键 词：史料掌故化 自然山水人文化 人物群像化 

分 类 号：I207.6[文学—中国文学]