乐以载道?——台湾“中华文化复兴运动”期间的礼乐重建经验  

Tracks of History in Music:Lessons from the Rite and Music( Liyue ) Reconstruction of the “Chinese Cultural Renaissance Movement” in Taiwan

作　　者：蔡灿煌[1] 

机构地区：[1]澳大利亚国立大学

出　　处：《中央音乐学院学报》2014年第4期75-83,共9页Journal of The Central Conservatory of Music

摘　　要：如果古为今鉴是我们今人探索历史的主要原因之一,自1966年发生在台湾的"中华文化复兴运动"与其礼乐重建,又能为近年来中国大陆的文化复兴和礼乐重建提供什么样的启发或警示?本文以现存台湾官方档案资料与当年报纸报道为主要材料,从中探讨与音乐相关之文艺活动与祭孔乐舞展演;一方面试图呈现"中华文化复兴运动"对当年台湾音乐发展的影响,另一方面希望对祭孔乐舞重建工作的讨论,可厘清重建"目的"与"成果"间的因果关系。If the main reason for studying history is to learn from the past to avoid repeating mistakes, can Taiwan＇s ＂Chinese Cultural Renaissance Movement＂ since 1966 provide us with any inspiration or warning for China＇s recent cultural renaissance and ritual reconstruction？ Using official archival materials and newspaper reports as the main sources of data, this paper explores cultural activities related to the music and dance of the Confucius ritual per- formances during the era of ＂Chinese Cultural Renaissance Movement. ＂ On the one hand, the study aims to reveal the influence of the Movement on the musical development of Taiwan. Through the discussion of the Confucius music and dance reconstruction, on the other hand, it also assists us to clarify the ＂purpose＂ and ＂consequence＂ of its recon- struction, as well as the relationships between them.

关 键 词：台湾地区 “文化复兴运动” 礼乐重建 国乐 

分 类 号：J609.2[艺术—音乐]