关汉卿作品中女性形象的身份意识觉醒  

The awakening consciousness of identity of female image in Guan Hanqing's works

作　　者：朱之润[1] 

机构地区：[1]安庆师范学院文学院,安徽安庆246003

出　　处：《阜阳师范学院学报（社会科学版）》2014年第5期81-84,共4页Journal of Fuyang Normal University：Social Science Edition

摘　　要：关汉卿的杂剧代表着元杂剧辉煌的成就,他的剧本渗透着浓浓的女性关照,凸显着元代女性真实的生存状况:敢于冲破旧樊篱和改变自身命运。《救风尘》《望江亭》和《窦娥冤》三部作品中的主要女性形象赵盼儿、谭记儿和窦娥就是他们中杰出的代表,她们被社会所逼,被政权、族权、父权、夫权所逼,敢于控诉封建社会妇女地位,敢于追求爱情,敢于维护自身的尊严,具有光辉夺目的魅力。本文主要对关汉卿杂剧《救风尘》《望江亭》和《窦娥冤》三部作品中的主要女性形象赵盼儿、谭记儿、窦娥的身份意识的觉醒探析,进而深入剖析女性觉醒带来的社会意义,总结这种意识的进步和局限。Guan Hanqing mixed represents the Zaju of the Yuan Dynasty brilliant achievements, his script permeated with a deep sense of female attention, highlighting the Yuan dynasty women~ real living condition ： dare to break through the old barriers and to change their fate. ＂Save time＂ , ＂Pavilion＂ and ＂Dou E case＂ of three works of the main female images Paner Zhao, Tan Jier and Dou E is the outstanding representative of them, they were forced by the society, by right of the patriarchal clan regime by force, dares to accuse the status of women in feudal society, the courage to pursue love, dare to maintain its own dignity, with brilliant charm. This paper is mainly on Guan Hanqing＇s ＂save prostitutes＂, ＂ Pavilion＂ and ＂ dou eyuan＂ of three works of the main female images Paner Tan Ji Zhao, son of awakening consciousness of identity, Dou, and in - depth analysis of the awakening of women has brought social significance, summarizes the progress and limitation of this consciousness.

关 键 词：关汉卿 杂剧 女性 身份意识 

分 类 号：I206[文学—中国文学]