“远取譬”与鲁迅对冯至的评价问题  

Metaphor and Lu Xun's Evaluation on Feng Zhi

作　　者：李怡[1] 

机构地区：[1]四川大学文学与新闻学院/文化遗产与文化互动创新研究基地,四川成都610064

出　　处：《华南师范大学学报（社会科学版）》2014年第4期136-139,183,共4页Journal of South China Normal University：Social Science Edition

基　　金：四川大学中央高校基本科研业务费研究专项项目"民国历史文化框架中的中国现代文学研究"(Skgt201105);国家社会科学基金重点项目"民国社会历史与中国现代文学的研究框架"(12AZW010)

摘　　要：冯至因为鲁迅的评价而声名鹊起。鲁迅对冯至的评价来源于他本人对中国新诗的整体认识,也来自鲁迅内心深处的艺术期待。从这个意义上看,冯至的诗歌表现很好地符合了鲁迅的思想认识。冯至和鲁迅一样,是在中国诗歌传统的欠缺处开始新的思考的。他通过"远取譬"的艺术方式推进了艺术的自我更新,这样的努力无疑极大地推动了中国现代新诗的发展。Lu Xun's evaluation,which came from his general understanding of Chinese modern poetry and his anticipation of literature and art,has brought fame to Feng Zhi,whose works of poetry,from this point of view,were well consistent with the Lu Xun's artistic preferences for poetry. Both of them began a new reflection on the deficiency in the tradition of Chinese Poetry. The efforts made by Lu Xun and Feng Zhi through the use of metaphor,have accelerated the self-renewal of native modern poetry and greatly promoted the development of Chinese new poetry.

关 键 词：远取譬 冯至 鲁迅 中国诗歌传统 

分 类 号：I207[文学—中国文学]