基于“日常生活转向”的独特叙述视角——以新世纪工业题材长篇小说为例  

The Unique Narrative Perspective Based on the “Turn of Daily Life”——A Case Study of Novels Themed on Industry in the New Century

作　　者：陈卫炉[1,2] 

机构地区：[1]上海师范大学人文与传播学院,上海200234 [2]上海电子信息职业技术学院公共基础教学部,上海201411

出　　处：《海南师范大学学报（社会科学版）》2014年第8期48-52,共5页Journal of Hainan Normal University(Social Sciences)

基　　金：2013年度上海市教委科研创新重点项目"叙事视阈:新世纪长篇小说综论"(编号:13ZS082);上海师范大学研究生优秀成果培育项目(编号:B-7064-12-001018)

摘　　要：新世纪工业题材长篇小说延续了新写实小说对于日常生活的关注和表现,采取小人物视角、日常生活视角、民间视角灵活错综运用,促使创作实现了面向日常生活的转向。别出机杼的小说叙述视角,作为"一种别有意味的形式",带来了工业叙事文体的革新,同时代表了一种强烈的价值介入和话语霸权,与作者的艺术构思密切相关,起到影响和深化主题意旨的作用。By carrying forward the attention to and expression of daily life in Neo-realism fiction, novels themed on industry in the new century have successfully turned to portray daily life by way of the flexible and complex use of such narrative perspectives as the little people perspective, the daily life one and the folk one. The original narrative perspective in the novel, as ＂a meaningful form＂, has brought about innovations in the narrative style of subject matters on industry. Moreover, it has also represented an intense value involvement and discourse hegemony, which is closely linked with the artistic conception of the author, thus having influenced and deepened the theme of novels.

关 键 词：新世纪 工业题材 日常生活 小人物 民间 视角 

分 类 号：I207.4[文学—中国文学]