战国秦汉漆器彩绘工艺之管见  

Research on lacquer painting technologies of the Warring states,Qin dynasty and Han dynasty

作　　者：刘芳芳[1] 

机构地区：[1]南京大学历史学系,江苏南京210093

出　　处：《中国生漆》2014年第3期9-14,共6页Journal of Chinese Lacquer

基　　金："中国博士后科学基金资助项目"资助(资助编号:2013M540428);"江苏省博士后科研资助计划"专项资金资助(资助编号:1301012C)

摘　　要：我国漆器在战国秦汉时期出现了第一次兴盛繁荣,这一时期的彩绘工艺承前启后,得到了长足发展。本文从漆器彩绘的底色、色彩、手法及构图形式等四个方面,利用考古资料对战国秦汉时期漆器彩绘工艺进行了初步研究与分析。Chinese lacquers appeared the first prosperity in the Warring States period, Qin and Han Dynasties. During the same period, painting process has also obtained considerable development, which carried on the past heritage and opened up the future. In this paper, the lacquer painting process in the Warring States period, Qin and Han Dynasties, was studied and analyzed from four aspects of lacquer painting color, color, style and structure, using the detailed archaeological data.

关 键 词：战国秦汉 漆器 彩绘 

分 类 号：J527[艺术—艺术设计]