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作 者:蔡鹏飞[1]
机构地区:[1]武汉大学,湖北武汉430072
出 处:《青海民族研究》2014年第4期189-192,共4页Qinghai Journal of Ethnology
基 金:国家留学基金委资助
摘 要:成都大圣慈寺,以其数以万计的壁画而闻名,除了作为僧俗佛教信仰的中心,同时还是成都士庶文化、经济、游闲生活的中心,发挥着一系列的社会功能,此可视作唐宋后都市寺院的普遍现象。与中国社会良性互动而造就的人间气息为佛教深入民族文化内核裹好了糖衣,由此观之,宗派义理的繁荣不能全然代表佛教中国化的成功。一部佛教史,不仅是一部宗教史,也是文化史、民俗史、艺术史的综合。Dashengci monastery was particularly renowned for its countless frescoes. It has played a series of social functions in Chengdu city. Not only served as the center of Religious faith ,but also as the center of culture, economy, traveling, leisure living of the city.It could be regarded as a common phenomenon of urban monastery after Tang and Song. In the process of positive interaction with Chinese society, Buddhism became more familiar to Chinese people. So the foreign religion could came into the core of the national culture gradually. Therefrom, the success of Buddhism in China cannot be judged by the blooming of the doctrine and the philosophy. A history of Buddhism, is not only a religious history,but also a comprehensive history of culture ,folk and art.
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