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作 者:胡淑娟[1]
出 处:《北方论丛》2014年第6期81-84,共4页The Northern Forum
摘 要:古往今来诸多诗评家都关注到了中唐诗人李贺诗歌中具有"艳"的风格特征,并构成了李贺诗歌创作中的一种主流风格。然而在众多的批评观点中褒贬赞毁各持己见,有的盛赞为天地奇彩,有的大加肯定,有的不乏贬损。本文在历代诗论中擘肌分理出各论主旨,耙梳厘清出其诗"艳"所具"侧艳"、"幽艳"、"古艳"、"怪艳"、"冷艳"等内蕴,明确"艳"之风格乃李贺风骚独领,历久不衰,成为了一种艺术典范,为后世所宗。throughout the ages many poetry critics pay close attention to the "erotic style" in poems of Li He, who is a famous poet in mid -Tang Dynasty. It is the main style in his poems. However, there are different views among those numerous criticisms, including praising it fantastically, showing positive nods, and giving negative standpoint. On the basis of analyzing different views of poetics in different ages, conclusion is showed: his "erotic style" includes different implications, such as isolated, ancient, odd, and cold aspects, etc. It also shows that this style belongs to Li He only and becomes fresh through ages, which is a kind of art model and main stream in later ages.
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