北部湾地区“跳岭头”民俗文化的儒学显现  

Confucianism in the Folk Culture of Tiaolingtou in the Beibu Bay Region

作　　者：黄宇鸿[1] 黄建霖 

机构地区：[1]钦州学院中文与传媒学院,广西钦州535000 [2]钦州市发展规划局,广西钦州535000

出　　处：《广西师范大学学报（哲学社会科学版）》2014年第5期16-21,共6页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：北部湾人文研究中心项目(2010RW-A02)

摘　　要：广西北部湾地区的"跳岭头"民俗文化是脱胎于傩巫文化的产物,以萨满为表演主体,以"玛纳"为主要象征载体,在浓重的象征意味中体现着泛灵信仰和泛生信仰相结合的特点。在人类学视域下,北部湾地区的"跳岭头"民俗文化显现出儒学的礼、乐、仁等特征。无论从其体裁还是内容,"跳岭头"民俗文化显现了其儒学确证性,对研究人类学、民俗学、历史学、民族学、乡土乐舞、宗教学等多学科具有重要的参考价值。Folk culture of Tiaolingtou in the Beibu Bay region of Guangxi,born out of Nuo culture,with Shaman as performing subject and Manna as major symbolic carrier,embodies the combination of animism and animatism in strong symbolic implications.From the perspective of anthropology,Tiaolingtou folk culture reveals Confucian philosophy—Li（ritual）,Yue（music）and Ren（humanity）.It shows the verifiability of Confucianism both in its genre and content,which enables it to be of significant reference value in the study of many fields,such as anthropology,folklore,history,ethnology,religion and local music and dance.

关 键 词：跳岭头 北部湾地区 人类学 儒学 教化功能 

分 类 号：K892.29[历史地理—民俗学] G112[历史地理—历史学]