《红色手推车》的象似性解析  

An Iconic Study of “The Red Wheelbarrow”

作　　者：曹原[1] 

机构地区：[1]集美大学诚毅学院,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2014年第4期83-87,共5页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：象似性指的是语言符号的能指和所指之间的自然联系。作为认知语言学的一个重要理论,象似性的研究不仅存在于词汇、句法层面,还存在于篇章层面。从认知语言学角度出发,利用语言对客观世界的映射,从语音象似、图形象似、数量象似、顺序象似、距离象似和心理象似六方面重新审视并详细解析《红色手推车》一诗,力证象似性研究在诗歌写作和赏析层面有着非凡的实践意义。Iconicity refers to the natural connection between＂the signifier＂and＂the signified＂of linguistic signs. As an essential theory in the field of cognitive linguistics,iconicity studies exist not only in lexicon and syntax,but also in text. Since language mirrors and maps the world,the present paper re-examines and makes a thorough analysis of the poem ＂The Red Wheelbarrow＂in terms of Iconicity of Phonology,Iconicity of Diagram,Iconicity of Quantity,Iconicity of Sequence,Iconicity of Distance and Iconicity of Psychology from a cognitive linguistic stand,proving a positive and practical significance of applying iconicity to the creation and appreciation of poems.

关 键 词：象似性 语言符号 映射 《红色手推车》 

分 类 号：I106.2[文学—世界文学]