一场“伪狂欢”盛宴——表演选秀型节目的结构及隐喻  

A Forged Carnival:Structure and Metaphor of Performing Talent Show Program

作　　者：董华峰[1] 霍丽姗[1] 

机构地区：[1]北京工商大学艺术与传媒学院,北京100033

出　　处：《艺术百家》2014年第5期57-60,共4页Hundred Schools In Arts

基　　金：2012年度国家社会科学基金艺术学项目"改革开放以来中国电视娱乐节目价值取向的变迁"(项目编号:12BC020)阶段性成果之一

摘　　要：近年来,表演选秀型节目占据荧屏,且有愈发火爆的趋势。这些节目以其全民性、颠覆性、平等性和仪式性特征而被定性为媒体和大众共同参与的"狂欢"。但由于其采用的是不折不扣的神话结构,因而狂欢只是这类节目的表象,其本质在于追求和建构一种新的秩序。因而,这类真人秀节目本质是一场"伪狂欢"盛宴。In recent years, the screen is full of performing talent show programs which become more and more popu- lar. With its characteristics of publicity, subversion, equality, and rituality, such program is identified as a carnival jointly participated by the media and the mass. However, since it completely and purely adopts a myth structure, it actually tries to establish a new order in which carnival is only a presentation. Therefore, such kind of reality show is essentially a forged carnival.

关 键 词：影视艺术 大众传播 表演选秀型节目 神话结构 狂欢 伪狂欢 

分 类 号：J90[艺术—电影电视艺术]