前情境 情境 后情境  

On Pre-situation,Situation and Post-situation

作　　者：周泉[1] 

机构地区：[1]中央戏剧学院戏剧文学系

出　　处：《戏剧（中央戏剧学院学报）》2014年第5期82-89,共8页Drama:The Journal of the Central Academy of Drama

摘　　要："情境"是戏剧学中极为重要的术语,它从中国古典诗学语境中借用而来,表述启蒙时期戏剧的一种特征,既而演绎成美学的一个概念,再进而表征戏剧的历史形态而成为戏剧理论和实践中的自然形式。环绕情境这一概念,"前情境"和"后情境"也标示了两种不同的戏剧形态。"情境"概念的流变也是戏剧理论形态转型的象征化表达。Situation of a play is a very important term in dramaturgy, which was borrowed from ancient Chinese classics to represent the characteristics of plays in Enlightenment, and also an important concept in aesthetics, which was used to represent various historical development in drama and turned to be an inseparable element in theatrical theories and practices. Pre-situation and post-situation indicate two different dramatic patterns. So the change of the concept ＂situation＂ also reflects the symbolical expression of the development of theatrical theories.

关 键 词：前情境 情境 后情境 

分 类 号：J80[艺术—戏剧戏曲]