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作 者:宋达[1]
出 处:《艺术与设计(理论版)》2014年第10期143-145,共3页Art and Design
摘 要:文章以"大魔术师"麦金托什的外貌作为切入点并结合其所处的时代环境。以作品对照的手法展示了其对日本文化超然地接纳;用图解的形式分析了麦金托什的装饰图案对于日本元素接受的情感的独特性;优美的线条、灵动的留白艺术手法与东方色彩观在麦金托什作品中的印记。"大魔术师"的戏法儿透露出这位艺术家对于文化的开放态度以及不失本体性的创作理念。This article takes" The great magician" Mackintosh' s appearance as a point of penetration. According to the condition of his own time, the author also shows a detached attitude towards accepting Japanese culture by comparing works; it analyzes the unique feature of emotion of Mackintosh' s decorative pattern' s adaption of Japanese elements by diagrammatizing; Exquisite lines, agile art skills of margin and eastern chromatics are the brands of the Magician' s works. The tricks by the great magician reveal opening attitude of culture and creative ideas without loss noumenon.
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