十七年文学影视剧中的阶层镜像研究  

Research on the Class Reproduction in the Films and TV Dramas from Seventeen-Years Literature

作　　者：孙卫华[1] 

机构地区：[1]天津师范大学新闻传播学院

出　　处：《天津师范大学学报（社会科学版）》2014年第5期54-59,共6页Journal of Tianjin Normal University(Social Science)

基　　金：国家哲学社会科学青年规划项目(13CXW024);天津市哲学社会科学规划项目(TJXC12-017)

摘　　要：自1949年至1966年,中国影视剧的创作和评价主要以政治话语为主导,其人物形象再现也被高度"刻板成见"化。农民,因其与红色政权性质的一致性,具有先天的政治正确性,成为一个被大写和极力讴歌的主体。而地主与知识分子,则以其政治的反动性与革命立场的模糊性,在影像文本中被置于与"革命性"对立的一极。这种影视剧中的人物再现,深刻定格并影响了这一时期中国的文化生态,也影响了中国80年代乃至延续到新世纪的文化版图。From 1949--1966, political correctness played a very important role in the creation and evaluation of films and TV dramas in China. The character image reproduction of different social class was highly influenced by stereotyping. Farmers, because of their former support to the red political authority, were highly praised in the films and TV dramas. The landowners and intellectuals, because of their political incorrectness and moderate position to the red revolution, became the backward power to the revolution and the reconstruction of the new China in the films and TV dramas. The class reproduction influenced not only the culture ecology from 1949--1966, but also the culture territoryfrom the 1980s to the new century.

关 键 词：十七年文学 影视剧 政治话语 审美维度 阶层镜像 

分 类 号：I206.7[文学—中国文学]