把生命的火焰塑形为诗——论牛汉的诗歌创作  

Shape the Flame of Life into Poems——on Niu Han's Poetic Creation

作　　者：姚国建[1] 李桦[1] 

机构地区：[1]蚌埠学院安徽省诗歌学会理论研究中心,安徽蚌埠233000

出　　处：《乐山师范学院学报》2014年第11期18-25,共8页Journal of Leshan Normal University

摘　　要：在牛汉所有的诗歌作品中,那些浸透着他的血泪、裸露着他的伤疤、直立着他的硬骨、有着历史痛感的生命之歌,才是他最好最有价值的诗歌。这些诗歌的产生,与他充满苦难的人生经历、他和自然的关系、他的蒙古族血统和习性等有着密切的关联;牛汉的诗歌,为我们展现了一个广阔、高远、奇特的生命世界,其中给人印象最强烈的是四种类型:植物界生命形态、动物界生命形态、与自己命运相近者、个人自画像等,这些生命形态具有共同的特征,对于我们认识历史、认识生命及人类精神等都有着重要的价值;牛汉认为每一首诗的写作都是自己的生命在燃烧,写诗的奥秘就是把生命的火焰塑形为诗,其具体途径主要是通过客观纪实、创设情境、心灵外化、自我写照等艺术方式去实现诗的塑形。Among all the poems by Niu Han, those saturated his blood and tears, born his scars, erected his hard bones, abounded with historical pain in the song of life, are the most valuable. The genera-tion of these poems is close to his wrenching experiences, his relationship with nature and his Mongolia lin-eages and nature. Niu Han’s poems produce a broad, lofty and marvelous spiritual world. Among them, the flowing four types are impressive： plantae life forms, animality life forms, similar to his own destiny and self-portraits. These life forms share common features and are invaluable to recognize history, life and hu-man spirit. In Niu Han’s opinion, the creation of every poem is the flame of life. Consequently, the secret of poem creation lies in shaping the flame of life into the poem. The specific ways to creation are unemotional on-the-spot report, situational creation, interior externalization and self portrait.

关 键 词：承受苦难 拯救生命 生命形态 历史果子 生命燃烧 诗形塑造 

分 类 号：I227.1[文学—中国文学]