穿越剧中的“灰姑娘”情结  

Cinderella Complex of Traversing Drama

作　　者：陈国钦[1] 文丽[2] 

机构地区：[1]重庆邮电大学传媒艺术学院,重庆400065 [2]湖南师范大学,湖南长沙410006

出　　处：《重庆邮电大学学报（社会科学版）》2014年第6期128-132,共5页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：国家社会科学基金艺术学项目(08EC80)

摘　　要：以女性为主要受众群体的穿越剧多采用灰姑娘的叙事模式。以"穿越"为契机,穿越版的灰姑娘形象揭示了现代女性自我表达、自我实现的深层心理诉求。"多马王子"现象则反映了现代女性在消费文化背景下的情感需求,而她们对待情敌和敌人的态度更是女性独立、自信的体现。在女性视角下,灰姑娘们张扬个性、表达自我,在消费文化的大潮中成为女性观众的偶像。The traversing drama with female as the main audience almost use Cinderella.Through “traversing”as an opportunity,the image of Cinderella version reveals the deep psychological demands of modern women’s self expression and self realization.“Multiple Prince”phenomenon is the reflection of modern women’s emotional needs in the context of consumer culture,and their attitude of treating rival and enemy is the embodiment of female independence and self-confidence.In female perspective,Cinderella has personality and self expression,becoming the idols of female audience in the tide of consumer culture.

关 键 词：穿越剧 灰姑娘模式 女性视角 多马王子现象 

分 类 号：J905[艺术—电影电视艺术]