废名的隐逸和文学表现方式及其在现代隐逸派的独特地位  

Fei Ming's Reclusion and Literary Expression Way and His Unique Status in Modern Reclusive Genre

作　　者：高传华[1] 宋益乔[2] 

机构地区：[1]山东体育学院,山东济南250102 [2]山东聊城大学,聊城252012

出　　处：《石家庄铁道大学学报（社会科学版）》2014年第4期64-69,共6页Journal of Shijiazhuang Tiedao University（Social Science Edition）

基　　金：2012年教育部人文社会科学研究青年基金项目(12YJ750193)

摘　　要：废名是现代文学史上的一个另类,但是从现代隐逸派和现代隐逸文学的角度来说,他又是一个很好的典范。废名受到周作人的影响加之其自身独特的人生经历,先后两次隐居,是现代隐逸派的忠实实践者。在文学上,他创作的《桃园》、《桥》、《莫须有先生传》等为读者展现了一个桃花源般的田园世界。在废名的小说中,桥、塔、坟等意象都具有隐逸的哲学意蕴。他塑造的人物如小林、莫须有先生、陈聋子等人也是废名隐士人格的外化,是隐士原型的变形。废名的这种语言和审美风格直接影响了沈从文。从周作人到废名,从废名到沈从文,前者对后者产生了深远的影响,而后者又实现了对前者的超越。可以说,废名在现代隐逸派,在周作人、沈从文、汪曾祺之间起到了一个承上启下的作用。Fei Ming is an alternative figure in the history of modern literature, but a good examplefrom the perspectives of modern reclusion and modern reclusive literature. Affected by Zhou zuorenand with his own unique life experience, Fei Ming lived in seclusion twice which made him become afaithful practitioner of modern reclusive genre. In literature, works such as Taoyuan, The Bridge,The Biography of Mr. Mo Xuyou etc. created by Fei Ming provides a pastoral world like The PeachGarden. In Fei Ming＇s novels, bridge, tower, grave etc. image are endowed with some reclusive phil-osophical implication, and characters created in his works such as Xiao Lin, Mr. Mo Xuyou and deafChen are the externalization of Fei Ming＇s hermit personality and the deformation of hermit prototypeas well. Fei Ming＇s language and aesthetic style affected directly Shen Congwen. From Zhou Zuoren toFei Ming, from Fei Mink to Shen Congwen, the former has a far-reaching influence on the latter, andthe latter has surpassed the former. Fei Ming, as it were, played a transitional role in modern reclu-sive genre figures, such as Zhou Zuoren, Shen Congwen and Wang Zengqi.

关 键 词：现代隐逸派 自卑心理 隐逸意象 隐逸原型 

分 类 号：I207[文学—中国文学]