试论宋初方外诗人学白及其诗作——以释智圆、朱贞白、种放为例  

On Taoist and Monk Learning Bai-ti in Early Song Dynasty——By example:Zhi-yuan,Wei-Ye,Zhu Zhen-bai,Zhong-fang

作　　者：汪国林[1] 

机构地区：[1]安徽科技学院中文系,安徽滁州233100

出　　处：《兰州文理学院学报（社会科学版）》2014年第5期68-73,共6页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：安徽科技学院引进人才项目"北宋白居易诗歌接受研究"(SRC2013344)阶段性成果

摘　　要：宋人蔡居厚说:"国初沿袭五代之余,士大夫皆宗白乐天诗。"可见,宋初白体诗流行的盛况。虽然宋初白体诗风主要兴盛于士大夫阶层,停留在宫廷、世俗之间,但对身处尘世之外的僧人、隐士乃至道士也颇有影响,这其中尤以智圆、魏野、朱贞白、种放为代表。他们虽不能说是真正意义上的白体诗人,但他们诗风近白,应属于宋初的外围白体诗人。In the early Song Dynasty, the first flourished poem was Bai-ti poetry, there was even saying “Poets are learning Bai le-tian poem. ” In the early Song Dynasy,although Bai-ti poetry was mainly flourished in bureaucratic class and in the palace and secular, the monks, taoist and even hermit priests were influential, especially Zhi-yuan, Wei -Ye, Zhu Zhen- bai and Zhong-fang as a representative. Although they can not real Bai-ti poets, their poetic style was similar to Bai-ti, and should belong to the periphery of the Bai-ti Poet of Song Dynasy.

关 键 词：宋初 白体 方外诗人 诗作 

分 类 号：I207.2[文学—中国文学]