古典爱情小说中的“化鬼”情节与“世情”演进  

The plot about people turns into spirit and the evolution of tendency of human relation in classic romance novel

作　　者：王晓东[1] 

机构地区：[1]广东金融学院财经传媒系,广东广州510521

出　　处：《蒲松龄研究》2014年第4期151-159,共9页Study on Pu Songling

摘　　要：中国古典小说初以传奇志异的风格为主,至世情小说方全力展现世态人情。但灵怪与世情并非决然对立,以爱情小说为例,若干"化鬼"的灵怪情节实也包含非传奇性的"世情化"因素:唐传奇《霍小玉传》、宋话本《碾玉观音》中的女鬼从执念复仇转向对家庭生活的追求,体现了世情性文学因子的自身积累、演变;世情小说的成熟则又影响了灵怪小说的创作,《婴宁》由狐鬼变人的写法是对"化鬼"情节的逆反,《聊斋》以"志异"开篇而终于"返常"的常见模式正是世情浸染的结果。"化鬼"与"世情"的相辅相成,显示了古典小说错综复杂、合力生成的演进轨迹。Chinese classic novel focus on romaunt and then transfer into human relationship until Ming and Qing Dynasties. But the spirit story is not always opposite to the human relationship,such as,there are a lot of plot about people turn into spirit including the factor of human relationship in these romance stories:The legend of Huo Xiaoyu(romaunt of Tang Dynasty),Crush of Jade Goddess Kwanyin(story-telling scripts of Song Dynasty). The female ghosts in these stories pursue family life instead of revenge,which illustrates the accumulation and evolution of literature factor about human relationship. In another handthe development of human relation story also affects the legend about spirit. For examplethe foxtrel and ghost change into people in Ying Ning is the back reaction to plot about people turn into spirit. Narrative style of beginning with legen-dary plot and ending with human relation in the story of Liao Zhai is the result of human relation trend. Plot of people turn into spirit and the human relation supplement each other,which indicates the complex evolution.

关 键 词：化鬼 世情 霍小玉传 碾玉观音 婴宁 

分 类 号：I207.41[文学—中国文学]