“嫦娥奔月”原型的生态意蕴  

The Ecological Implication of "The Goddess Chang's Flying to The Moon" Prototype

作　　者：王慧[1,2] 

机构地区：[1]南京师范大学泰州学院人文传媒学院,江苏泰州225300 [2]扬州大学文学院,江苏扬州225000

出　　处：《安徽广播电视大学学报》2014年第4期77-80,共4页Journal of Anhui Radio & TV University

基　　金：南京师范大学泰州学院2012年青年项目"一部女人的史诗--从嫦娥奔月神话的历史展衍看中国女性的命运历程"的阶段性成果(项目编号:Q201217)

摘　　要：对于中国神话奇葩"嫦娥奔月",学术界或从语言文字学、人类学,或从哲学角度进行探寻,遗憾的是他们对其背后深藏的生态思想蕴含却很少触及。本文立足当下,运用生态学和原型批评的有关理论,对"嫦娥奔月"原型所蕴涵的生态意蕴进行探析。在现代生态学视域下,女人与自然再度结成生死联盟,解构男权中心、二元对立和等级秩序,进而解构罗格斯中心主义逻辑本身。这对解决当代各种生态困境将发挥重要作用,同时也为人类与自然之间建立新型的"人天合一"的生态关系提供丰富的生态智慧,并与传统的"天人合一"区别开来。For Chinese wonderful myth ＂The Goddess Chang＇s flying to the moon＂, the academic circles have made researches from language learning, anthropology and philosophical perspectives. However, the ecological implications behind it have been seldomly touched. Based on the present and using relevant theo- ries of ecology and archetypal criticism, the thesis probes into the ecological implications o{ the story. In modern ecology perspective, women and nature have been combined together again to form a life and death alliance, thus deconstructing the male center, binary opposition and rank order, then the Logocentrism logic itself is deconstucted. This will play a key role to solve the contemporary ecological predicament, as well as to provide rich ecological wisdom to establish a new ecological harmony between man and nature, which is different from the traditional ＂harmony＂.

关 键 词：嫦娥奔月 原型 生态意蕴 人天合一 

分 类 号：I207.7[文学—中国文学]