创造社诗人写作的“个人性”与“公共性”——以穆木天为例  

“Individuality”and“Publicity”of Writing by Poets from Creation Sociey: Taking Mu Mutian as an Example

作　　者：易亚云 

机构地区：[1]西南大学中国新诗研究所,重庆北碚400715

出　　处：《湖北文理学院学报》2014年第4期67-70,共4页Journal of Hubei University of Arts and Science

基　　金：教育部人文社会科学规划基金项目(13XJA751007)

摘　　要：随着一些重大公共事件的发生,"公共性"受到了广泛的关注,诗歌领域也不例外,"公共性"与"个人性"二者既对立又统一。"五四"以来,历经文学革命和革命文学等的洗礼,中国新诗也呈现不同的风格取向和思想内涵,以郭沫若、穆木天为代表的创造社也经历了由浪漫主义到革命现实主义的转变,具体表现在由生命体验到革命情怀的变化,创造社的这种方向的转换顺应了时代的潮流,表现出新诗"公共性"与"个人性"对立统一的特征。In poem domain, the publicity and individuality are also both opposite and unified. Since the May Fourth Movement, after the baptism of the literary revolution and the revolutionary literature, etc , the style of Chinese new poetry also exhibits different orientations and ideological connotations, accordingly, the Creation Society represented by Guo Moruo and Mu Mutian experiences the transition from romanticism to the revolutionary realism, that is, from the life experience to the revolutionary feelings, which conforms to the trend of the times, and high-lights the characteristic of the unity of opposites of ＂publicity＂ and ＂individuality＂ in the new poetry.

关 键 词：创造社 穆木天 公共性 个人性 

分 类 号：I207.2[文学—中国文学]