芭蕾舞剧《红色娘子军》:半个世纪经典为哪般?  

Rethinking Chinese Classic Ballet the Red Detachment of Women

作　　者：赵洁[1] 

机构地区：[1]太原师范学院舞蹈系,太原030012

出　　处：《北京舞蹈学院学报》2014年第6期24-27,共4页Journal of Beijing Dance Academy

摘　　要：1964年9月,中国芭蕾舞剧《红色娘子军》在人民大会堂首演,演出单位为中央歌剧舞剧院芭蕾舞剧团,编导李承祥、蒋祖慧、王锡贤,主要演员白淑湘等,被誉为"中华民族二十世纪舞蹈经典作品"。今年恰逢《红色娘子军》诞生五十周年,这部经典红色芭蕾舞剧已"红"透了半个世纪。而就在中国芭蕾舞剧蓬勃发展的这五十年间,诞生出大量风格多样、题材新颖的舞剧作品。民族化创作实践的道路上,作品呈现日趋繁多,却只见"作品",不见"人物"。如今,重新回望并分析这部经典作品,可对我们未来的探索与实践提供宝贵的创作资源与价值参考。本文从民族式题材的大胆创新、典范式中国芭蕾舞剧的审美内涵两个方面进行分析,借以对新时代下中国芭蕾舞剧创作与发展提供价值意义与参考。It has been fifty years since the premiere of Chinese classic ballet the Red Detachment of Women in 1964. Reviewing the past fifty years, we can find that there have been numerous ballets with various styles and novelty themes on Chinese stage. However few ballet characters left deep impressions on the way of Chinese nationalized ballet creation. This paper makes a concrete analysis in the two aspects of national theme of bold innovation and paradigm Chinese ballet aesthetic connotation, aiming to provide valuable significance and reference to the new era of China ballet creation and development.

关 键 词：中国芭蕾舞剧 民族题材 审美内涵 价值 

分 类 号：J705[艺术—舞蹈]