穆索尔斯基作品中的调式调性探析  

To Analyses the Modes and Tonality in Mussorgsky's Works

作　　者：罗长华[1] 赵德义[2] 

机构地区：[1]湖南涉外经济学院音乐学院 [2]武汉音乐学院

出　　处：《黄钟（武汉音乐学院学报）》2014年第4期127-132,共6页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：穆索尔斯基是俄罗斯民族乐派代表人物之一。该文以穆索尔斯基的三部不同体裁且最具影响力的音乐作品,即歌剧《鲍里斯·戈杜诺夫》、交响诗《荒山之夜》和钢琴组曲《图画展览会》为研究对象,从调式调性的角度出发,总结和归纳了穆索尔斯基在作品中新颖的调式运用手法和慎密的调式思维方式。Modest Mussorgsky was one of the representatives of Russian musical nationalism. Selected Mussorgskyg three different genres and the most influential music works, the opera Boris Codunov, the orches- tral tone poem Night on Bald Mountain and the piano suite Pitcures at an Exhibition as the research object, and from the viewpoints of modes and tonalities, this paper summarized and concluded Mussorgsky＇s novel technique to use the modes and careful method of modes thinking in the works.

关 键 词：穆索尔斯基 调式 调性 

分 类 号：J614.1[艺术—音乐]