他律与自律:1949～1976年诗歌音乐性的考察  

Between Autonomy and Heteronomy: Investigation of Musical Poetry in 1949-1976

作　　者：李俊杰[1] 

机构地区：[1]北京师范大学,北京100875

出　　处：《广播电视大学学报（哲学社会科学版）》2014年第4期32-39,共8页Journal of Radio & TV University(Philosophy & Social Sciences)

摘　　要：立足于诗歌本体,对1949-1976年诗歌的形式特征进行分析、总结和研究,主要考察诗歌的音乐性。通过整理分析新中国近三十年新诗格律的多种取向和特征,探求诗歌在格律与诗意的协调之中做出的努力,探索这一时期诗歌"文学性"的生成机制并估价其影响。This article based on ontology, poetry to the year 1949 to 1976. With the purpose of this article I have to summarized and research the mainly around poetry rules especially musicality. By sorting out and analyzing nearly 30 years after the founding of new poetry, and to explore various orientation and characteristics of poetry and the poemb beauty coordination of efforts, the focus of this article is on the poetic ＂literariness＂ , and through this research to explore the formation mechanism and its influence.

关 键 词：新诗 形式研究 音乐性 他律与自律 

分 类 号：I207.25[文学—中国文学]