空间、历史与身体政治——论《无名的裘德》对资本主义婚姻制度的批判  

Space,History and Body Politics:Refiguring the Critique of Bourgeois Marriage in Jude the Obscure

作　　者：范一亭[1] 

机构地区：[1]北京科技大学外国语学院,北京100083

出　　处：《外国语文》2014年第5期19-28,共10页Foreign Languages and Literature

基　　金：教育部人文社会科学研究青年基金项目"19世纪英国文学文化思想史研究"阶段性成果(12YJCZH041)

摘　　要：哈代在其最后一部小说中颠覆了自沃尔斯通克拉福特以来的"伴侣婚姻"模式以及资产阶级家庭观,揭露了以艾拉白拉为代表的资本主义世界的物欲化、商品化的本质,而特立独行的女主人公淑无疑可以看作19世纪末英美社会"新女性"的代表,她拒绝资产阶级婚姻制度的性别压迫与剥削,而裘德与淑的婚姻家庭新模式的失败则呼应了恩格斯所批判的资本主义生产的社会关系、财产关系。二人以身体政治的方式与资本主义父权习俗相对抗,预言了资产阶级婚姻制度的解体,哈代亦藉此成功地将婚姻为代表的资本主义父权制度彻底去魅。In his last novel Jude the Obscure,Hardy severely critiques the collaboration of capitalist commercialization and patriarchal system by focusing upon the typical Victorian marriage plot. Echoing Engles’ critique of bourgeois marriage,Hardy deconstructs Wollstonecraft’s companionate marriage embedded in the Victorian novel and represents Sue as a finde-siècle New Woman figure who educates Jude into recreating a pro-socialist family mode of production and reproduction against the economic,gender and cultural repression and exploitation by capitalist patriarchy embodied in marriage. With such an ideological body politics in a spatial and historical framework,Hardy thus disenchants the system of capitalist patriarchy and predicts the final collapse of the bourgeois marriage institution.

关 键 词：哈代 《无名的裘德》 资产阶级婚姻 空间 历史 身体政治 

分 类 号：I109.9[文学—世界文学]