关于当下我国民族服饰博物馆展示现状的思考——基于江浙沪地区民族服饰博物馆的考察  

The Show Actuality of Our Country's National Costume Museum: According to the Investigation of Jiangsu,Zhejiang and Shanghai's National Costume Museum

作　　者：梁惠娥[1] 张守用[1] 

机构地区：[1]江南大学汉族服饰文化与数字传承实验室,江苏无锡214122

出　　处：《艺术百家》2014年第6期76-81,共6页Hundred Schools In Arts

基　　金：2012年度国家社会科学基金艺术学一般项目"汉族民间服饰文化遗产保护及数字化传承创新研究"(项目编号:12BMZ049)阶段性成果;2013年度江苏省文化科研项目"江苏民间服饰文化遗产保护及其数字化整理技术研究"(项目编号:13YB23)阶段性成果之一

摘　　要：近年来,随着对传统文化的高度重视,博物馆作为民族文化传承的重要载体,正在不断提升服饰展示技术与水平。文章通过对江浙沪地区七家民族服饰博物馆进行实地考察,总结目前主要的服饰展示方式与现状。主要从民族服装平面铺排、支架支撑、人模与虚拟展示四种展示形式以及其他展品展示形式进行分析与总结。传统民族服饰文化传承创新要从认识、认知与认同开始,如何有效"三认",博物馆的展示是其中重要途径之一,对于民族服饰博物馆积极有效地解决未来生存问题,加强民族服饰文化的保护和传承有着重要意义。In recent years,with the growing importance attached to traditional culture,museums as indispensable carriers of national culture inheritance are continuously enhancing the level and technology of clothing display. This article summarizes the main methods and the current status of clothing display through the field trip to seven national costume museums in Jiangsu Zhejiang and Shanghai. It mainly carries on the analysis and summary on four display forms of the national costume plane arrangement,rack supporting,human model and virtuality and other display forms,which leads to the conclusion that innovation of traditional national costume culture inheritance should start from understanding to cognition and to identification,museum display is one important way in realizing them effectively,it bears major significance in dealing with the future survival problems of national costume museum actively and effectively,as well as the strengthening of the protection of national costume culture and inheritance.

关 键 词：民族文化 传统艺术 服饰设计 平面铺排 支架支撑 人模 虚拟 文化传承 

分 类 号：J50[艺术—艺术设计]