传统的发明与文化的重建——土家族摆手舞传承研究  

The Invention of Tradition and the Cultural Reconstruction:On the Tujia Baishou Dance Inheritance

作　　者：赵翔宇[1] 

机构地区：[1]三峡学院民族学与公共管理学院,重庆404100

出　　处：《贵州民族研究》2014年第4期62-65,共4页Guizhou Ethnic Studies

基　　金：重庆市社会科学规划项目"摆手舞:土家族民间传统舞蹈的人类学研究"(项目编号:2010QNRW55);西南民族社会发展研究中心项目"土家族摆手活动的整体性保护研究"(项目编号:RCSNSD2013005);重庆三峡学院项目"土家族摆手活动传承与保护研究"(项目编号:12RC08)成果之一

摘　　要：现代摆手舞是一种被发明的传统,是为了新近的目的在传统摆手舞的基础上建构而成。近年来,现代摆手舞被各土家族地区以重建土家文化为由相继引入,并得到广泛传承。从文化内涵而言,现代摆手舞与传统摆手舞已经有本质的区别。这种被发明的传统只是在形式上继承了传统,而失去了其文化内核。土家摆手文化的重建应该以"祖先崇拜"为核心,通过修复摆手堂、整理祭祀仪式、倡导传统摆手舞、挖掘摆手歌等构建四位一体保护策略。The modem baishou dance is a kind of invented tradition, is constructed on the basis of traditional baishou dance for the new purpose. In recent years, the modem baishou dance is introduced to rebuild the Tujia culture in all the Tujia areas and widely inheritance.From the cultural connotation, the modem baishou dance and the traditional baishou dance have essential difference. This invented tradition just inherited traditional in form, and loses its cultural core. Reconstruction of Tujia waving culture should be based on the＂ancestor worship＂ to construct the quaternity strategy, through repairing its hall, finishing ritual, advocating traditional Baishou dance, and mining Baishou song etc.

关 键 词：土家族 文化重建 传统的发明 祖先崇拜 摆手舞 

分 类 号：B933[哲学宗教—宗教学]