地方性的生产:《繁花》的上海叙述  

Locality Production:Shanghai Narrative of Fan Hua

作　　者：曾军[1] 

机构地区：[1]上海大学文学院,上海200444

出　　处：《华中师范大学学报（人文社会科学版）》2014年第6期110-119,共10页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：上海市教委科研创新重点项目"当代中国社会转型中的视觉问题研究"(13zs073)

摘　　要：对金宇澄《繁花》地方性生产的分析必须将"内容"、"形式"及其"生产机制"的研究综合起来。其首发之地"弄堂网"中的分论坛"文字域"所形成的"上海人讲述上海人自己的故事"的文学场决定了《繁花》用上海闲话讲述上海记忆的特点。在"收获"版《繁花》中,金宇澄将主人公确定为"沪生"(而非"弄堂"版的"腻先生"和"沪源"),显现出着意强化"沪生"们的上海城市市民意识,使之成为"当代上海寓言"的努力。金宇澄在"文艺"版《繁花》中新增17幅手绘插图,建构"上海人的上海地图",展现了上海市民的空间意识。To study of the locality production of Jin Yucheng＇s Fan Hua must synthesizes the analysis of its content, form and production mechanism. Fan Hua first published on a website named Long Tang, which is a place that Shanghai people tell stories about themselves. The unique literature feature of Long Tang decided the narrative characters of Fan Hua. That Jin Yucheng changed his hero＇s name from ＂Ni Sir＂ to ＂Hu Sheng＂ shows his effort to emphasize Shanghai people＇s Shanghai citizen consciousness and to make them as ＂contemporary Shanghai fable＂. In the version by Shanghai Literature Press,Jin Yucheng added 17 hand-painted illustrations to construct ＂the Shanghai map of Shanghai people＂, showing the space consciousness of Shanghai citizens

关 键 词：金宇澄 繁花 地方性 上海叙述 

分 类 号：I207.42[文学—中国文学]