彝族毕摩档案的原始宗教美学解读  

The Interpretation of Bimo Files of the Yi Nationality from the Perspective of Aesthetics

作　　者：许宜兰[1] 

机构地区：[1]洛阳师范学院美术学院,河南洛阳471002

出　　处：《贵州民族研究》2014年第6期140-142,共3页Guizhou Ethnic Studies

基　　金：2011年教育部人文社会科学研究规划基金项目"艺术与信仰--道经图像与中国传统绘画关系研究"(11YJA730005)阶段性成果

摘　　要：毕摩是彝族原始宗教祭祀的主持人,不仅拥有古代彝族文书典籍的编撰权力,还履行着占验民族吉凶的"神判"职能,对彝族宗教文明传承起着决定性作用,彝族毕摩档案是毕摩以历时性的书写方式记录整理的直接反映彝族社会面貌的历史文献,由于毕摩是其创作、沿用、传抄与保存的唯一主体,使得彝族毕摩档案具备了鲜明的宗教属性,并以其"准道德"的伦理关怀、非宗教范畴的情感超越性以及体察生命的人性哲思,构筑了原始宗教的美学框架。Bimo of Yi nationality refers to those who host religious activities,who not only have the ability to compile ancient texts,but also shoulder the responsibility of foretelling good or ill luck for the whole nationality,thus playing a decisive role in the inheritance of Yi＇s religious civilization. Bimo files,as a direct reflection of history and society of Yi,are diachronic notation documents. With its distinct religious property,Bimo builds an aesthetic framework of primitive religions because of its ＂quasi-moral＂ ethical concern,its non-religious aspects of emotional transcendence and philosophizing to observe human life.

关 键 词：彝族 毕摩档案 宗教美学 人性哲思 伦理关怀 

分 类 号：G272.217[文化科学—档案学]