“灰姑娘”模式在文学作品及影视剧中的发展和变异  

The Evolution of Cinderella Story in Literary Works,Movies and TV Plays

作　　者：吕玉梅[1] 

机构地区：[1]济源职业技术学院,河南济源454650

出　　处：《遵义师范学院学报》2014年第6期38-40,59,共4页Journal of Zunyi Normal University

摘　　要："灰姑娘"是全世界流传最广的故事之一。随着时代的发展,"灰姑娘"从童话故事中进入了中外众多作家的笔下,活跃在不同国度的影视荧屏上,并且与时俱进,在人物形象、故事情节和结局等方面不断地发生着变化。"灰姑娘"模式之所以长盛不衰,有其深刻的社会心理因素。人人都有追求美好爱情、幸福婚姻和选择自己生活方式的权利,但只有建立在双方经济独立和深厚感情基础之上的婚姻才能长久。Cinderella is one of the most popular stories all over the world. It has entered from fairy tale into the literary works, movies and TV plays of different countries. Furthermore, the story has varied constantly with the times in character, plot and end. The permanent popularity of Cinderella Story has social and psychological factors. Anyone has a right to seek sweet love, happy marriage and a life style of one’s own, but only the marriage on the basis of independent income and deep love can last long.

关 键 词：“灰姑娘”模式 影视剧 发展 变异 

分 类 号：I206[文学—中国文学]