从莫言作品获奖看“边缘文学”如何走出去  

How Does the Marginalized Literature Be Centralized in the West in View of Mo Yan's Awarded Works

作　　者：耿小超[1] 何魏魏[1] 刘志强[1] 

机构地区：[1]山西大同大学外国语学院,山西大同037009

出　　处：《山西大同大学学报（社会科学版）》2014年第6期57-59,共3页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西大同大学2013年校级课题(2013Q23)

摘　　要：中国文学在西方文学中被视为边缘文学。莫言荣获诺贝尔奖的事实说明中国当代文学在西方文学中已由边缘步入中心,其发展变化符合文学多元系统论的发展规律,成为阐释边缘文学在文学多元系统论中地位变化的有力佐证。文章在分析莫言作品成功走出去所涉及的影响因素外,也阐明了译者在文学翻译中所遇到的翻译策略选择问题。Chinese literature is regarded as the marginalized literature in western culture.Mo Yan won the Nobel Prize for literature which has proved that Chinese contemporary literary works had stepped into the circle of western culture and its way of development kept in line with the rule of poly-system in literature,and it also provided potent exemplification for explaining the marginalized literature evolved into the centralized literature in literary poly-system.The paper analyzes the reasons that caused Mo Yan＇s pieces successfully stepped into the circle of western literature,and the issues of translation strategies that the translator has to face with in literary translation.

关 键 词：边缘文学 多元系统理论 西方文学 

分 类 号：I247[文学—中国文学]