雕塑发展的转型策略  

Transformative Stategies of the Development of Sculpture

作　　者：屈峰[1] 

机构地区：[1]中国艺术研究院

出　　处：《雕塑》2014年第6期35-36,共2页Sculpture

摘　　要：一、雕塑的发展 雕塑在中国被独立作为艺术品出现，是从上个世纪20年代开始的。受救国图强的现代思潮的影响，一批有志青年踏上了海外求学的道路，将西方写实雕塑引进到中国。其中如王子云、刘开渠、滑田友、王临乙等老一代雕塑家进入到中国现代美术的教育事业中，从事现代雕塑的教学工作。Starting from the 1920s,there were tots of ambitious young people decided to study abroad,they aimed to introduce western realistic sculptures to Chinese artists.The social position of sculpture and the relationship between sculpture and society had already achieved constant development after hundreds of years.From the propaganda function in the context of collective will to self-expressions in the context of individuality,sculptures are playing more and more roles gradually.Nowadays,the independence and personal right of sculptors acquired deeper development in contrast to the previous years,however, there are still many problems.This article aims to make the concise analysis in terms of the existed problems.

关 键 词：雕塑家 转型策略 中国现代美术 现代思潮 海外求学 教育事业 教学工作 现代雕塑 

分 类 号：J305[艺术—美术]