对《红色手推车》的“陌生化”解读  

The Interpretation of The Red Wheelbarrow from the Perspective of “Defamiliarization”

作　　者：钮洪敏 李忠华[1] 

机构地区：[1]中国海洋大学外国语学院,山东青岛266100

出　　处：《东莞理工学院学报》2014年第6期46-50,共5页Journal of Dongguan University of Technology

摘　　要：威廉·卡洛斯·威廉斯主张"思在物中",糅合现代绘画艺术;拒绝说教,坚持以日常事物入诗并将其陌生化,以唤醒人们重新认识生活、感知艺术。"陌生化"是用文学技巧将熟悉的文学事实变陌生,唤醒读者去感受生活的生动性和丰富性,这与威廉斯的诗歌理念不谋而合。威廉斯在《红色手推车》中,通过诗歌语言、结构,视听感官和意象上的"陌生化"手法,凸显了诗歌的艺术魅力,让读者真正听到、看到并感受到日常生活的美好。As a representative of the modern imagists and the founder of the Objectivism, William Carlos Williams insisted on“no ideas but in things”, combined modern painting art, rejected didactic elements, and chose to infuse daily objects into his poems and defamiliarize them to arouse readers’ acknowledgment of life and perception for art.“Defamiliarization” is a concept in Russian Formalism;it is used to make what is familiar unfamiliar in literature by combining various literature skills, to arouse read-ers’ perception of the vividness and liveliness of daily life, which coincides with the poetic theory of Williams.In his masterpiece, The Red Wheelbarrow, Williams highlighted the artistic charm of the poem and made readers hear, see and feel the loveliness of the daily life through“defamiliarization” in language and structure, audio-visual senses, and images.

关 键 词：威廉·卡洛斯·威廉斯 《红色手推车》 “陌生化” 

分 类 号：I106.2[文学—世界文学]