《尘埃落定》:“跨族别写作”与中国形象构建  

The Settling of the Dust:Inter-nationality Composition and the Construction of China's Image

作　　者：李雍[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《连云港师范高等专科学校学报》2014年第4期27-31,共5页Journal of Lianyungang Normal College

基　　金：国家社会科学基金重点项目"中国当代文艺实践中的国家形象构建研究"(项目编号:12AZW003;项目主持人为徐放鸣);江苏省普通高校研究生科研创新计划项目"形象诗学视域下国家形象主体性构建研究--以茅盾文学奖为例"(项目编号:CXZZ13_0964)

摘　　要：作为"穿行于异质文化之间"的作家阿来以藏族文化为载体,书写人类最本质、最普遍的指向人性的东西而获得了认可,东西方文化如同汉藏文化一样,本质上也是异质文化,阿来的"跨族别写作"与国家形象构建的立场、普遍的人性指向与国家形象的终极关怀等方面都是高度一致的。中国形象要根植于民族文化承载指向人类终极关怀的东西,构建一种民族性与世界性相融通的文化形象,在文化交流所形成的和而不同的"和声"中发出自己的声音,更好地融入世界文化格局。As a writer traveling among heterogeneous cultures, Mai, with Tibetan culture as the carrier, is acknowledged by the public by his descriptions of the most intrinsical and common qualities related to humanity. Same as Han culture and Tibetan culture, the eastern and western culture are both heterogeneous cultures in substance. The Inter - nationality compositionis highly consistent to the standpoint of constructing national image in Alai＇s works, so is the relationship between the common humanity orientation and the ultimate concern of the national image. Under the premise of being rooted in the national culture, China＇ s image should fall on things that human concern ultimately, then construct a cultural image where nationality and cosmopolitism fuse together, and finally make a sound in the harmonious yet different ＂harmony＂ composed in cultural exchanges to better integrate into the world cultural pattern.

关 键 词：阿来 尘埃落定 跨族别写作 中国形象 

分 类 号：I207.42[文学—中国文学]