从《朝景》的调性技法看“调性思维”的艺术表现功能  

The Artistic Expression Function of the Thought of Tonality from the Perspective of Tonality Skills Used in Morning Mood

作　　者：张少飞[1] 杨宏伟[1] 

机构地区：[1]浙江传媒学院音乐学院

出　　处：《浙江传媒学院学报》2014年第6期115-120,143,共6页Journal of Zhejiang University of Media & Communications

基　　金：2014年浙江省社会科学界联合会研究课题<从〈朝景〉的调性技法看"调性思维"的艺术表现功能>(2014B080)研究成果

摘　　要：文章通过对格里格管弦乐作品的代表作——《〈培尔·金特〉第一组曲》第一乐章《朝景》——进行以"调性技法"为主的分析、研究,证明其调性运动的"整体布局"和"转换细节",同样具有明确的"为音乐内容服务"的艺术表现意图。继而指出,"调性思维"作为极为重要的音乐基本表现手段之一,应当得到业界的相应重视;并对其作用、宗旨和实现等,做出了适当的总结与阐释。Based on the Morning Mood,the first movement of Peer Gynt Suite No. 1 which is the masterpiece of Grieg' s orchestral works,this study will analyze the tonality skill in order to prove that the general layout and the details transformation of the motions of the Tonality show the clear intention of serving the music content.Thus,the Thought of Tonality,as one of the basic technique of music composing,should get attention in music industry. This study will further explain and summarize the functions,purposes and implementation of the Thought of Tonality.

关 键 词：《〈培尔·金特〉第一组曲》第一乐章《朝景》 调性技法 调性思维 艺术表现功能 

分 类 号：J605[艺术—音乐]