浅论东亚漆艺文化交流  

Review on the cultural exchange of East Asia lacquer art

作　　者：马金玲[1] 王尚林[2] 

机构地区：[1]西安交通大学,陕西西安710048 [2]西安生漆涂料研究所,陕西西安710061

出　　处：《中国生漆》2014年第4期12-17,共6页Journal of Chinese Lacquer

摘　　要：漆艺文化是最能体现东亚文化特质的样式之一。从古至今,东亚的漆艺文化交流源源不绝。本文以中国为视角,考察东亚漆艺文化发展和交流的历史,将其划分为三个历史阶段。提出阶段划分的主要依据,并对每个阶段状况作以概述,在此基础上总结出东亚漆艺文化交流的历史特点。Lacquer art culture is one of the styles which can best embody the East Asian cultural traits . From ancient times to today , lacquer art culture exchange has never stopped in East Asia .This paper re-views the development and exchange history of East Asian lacquer art culture , which is divided into three historical stages from the Chinese perspective .The paper provides the main basis of the stage division , over-views the status of each stage , and summarizes the historical characteristics of East Asian lacquer art cultural exchange .

关 键 词：东亚 漆艺文化 阶段 交流 

分 类 号：J527[艺术—艺术设计]