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作 者:汪瑾[1]
出 处:《中国生漆》2014年第4期28-33,共6页Journal of Chinese Lacquer
摘 要:本文通过对日本传统漆器上莳绘纹样发展的历史沿革及其风格特征的论述,展现了日本传统漆器在学习、借鉴中国传统漆文化的基础上,通过长期与本国地理与风土人情的融合,创造出具有地域特征、富有岛国风情的独特纹样。正是这种独特的莳绘纹样和莳绘技法的完美结合,使得日本漆器成为当今日本传统工艺品种中最具特色及高超艺术表现力的艺术种类。By discourse on the evolving history and style of the Maki -e pattern on Japanese traditional lacquer ware , this article opens up how the Japanese traditional lacquer has learned from the Chinese tradi -tional lacquer culture , and integrated with its local geography and customs .As a result , it created the u-nique patterns rich of the island country ’ s regional character .It is through the perfect combination of the u-nique Maki-e pattern and technique , that Japanese lacquer ware has become the most characteristic and highly expressive among the Japanese traditional craft art categories of today .
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