漆有象、工藏巧——谈当代漆画的意象与工巧  

The image and the process of modern lacquer painting

作　　者：吴艺丁[1] 

机构地区：[1]福州大学厦门工艺美术学院,福建厦门361000

出　　处：《中国生漆》2014年第4期47-51,共5页Journal of Chinese Lacquer

摘　　要：漆画是东方人对人类文化的贡献,脱胎于传统髹漆装饰工艺的现代漆画,作为绘画艺术一员,有其独立的艺术品质与文化身份,展现出不同的审美内函以及精神质感,当代漆画创作者如何从东方传统美学观念与艺术精神汲取养分、更好地融合现代艺术表现语境?笔耕漆田多年,笔者觅径漆画富含民族特色的表象与内质,索求古法喻象写意应用,以期矫"媚工炫技"时风之弊,归返画艺初心、发挥风格魅力,让这一艺术形式成为承载人文思想、弘扬民族文化的新载体。Lacquer painting is the Oriental contribution to human culture .Modern lacquer painting orig-inated from the paint decoration technology of traditional lacquer painting art .As a member of painting , lac-quer painting has its own artistic quality and cultural identity , showing different aesthetic and spiritual quali-ty.How do contemporary painting creators draw nutrients from the traditional Oriental aesthetic concepts and artistic spirit , and better integrate them into modern artistic context？ After many years of studying , the au-thor explores lacquer painting rich in forms and essence of ethnic characteristics , and figurative freehand method , in order to avoid flattery and flaunt , return to painting essence and display style charm .Let this art form become carrier of humanistic thought and national culture .

关 键 词：漆画 意象 精神 技艺 

分 类 号：J213.9[艺术—美术]