城镇化进程中巨野农民画发展的人类学阐释  

Anthropological Interpretation of Juye Peasant Paintings Development in the Process of Urbanization

作　　者：邢楠楠[1] 

机构地区：[1]山东大学,山东济南250101

出　　处：《内蒙古大学艺术学院学报》2014年第4期96-104,共9页Journal of Art College of Inner Mongolia University

基　　金：山东省社会科学规划研究项目(项目编号:13DWYJ04)阶段性研究成果;国家社科基金艺术学重大项目"城镇化进程中民族传统美术现状与发展"(项目编号:14ZD03)阶段性研究成果

摘　　要：农民画是中国传统民间美术的代表,是生发于农村并以农民为创作主体而得以呈现的民间艺术形式。通过对山东省巨野县五个传统农民画村落的田野调查,并以巨野董官镇刘官屯村、城关镇洪庙村和独山镇王刘村为个案,调研山东省农民画的历史和村落发展现状,探讨农民画艺术形式的保护及产业的发展的问题,以巨野农民画为例的人类学阐释旨在探索城镇化进程中传统民间美术的保护及发展策略。Peasant painting is representative of Chinese traditional folk art, which is presented as a folk art form, develops in rural areas and puts farmers as creative subjects. Through fieldwork of five traditional peasant painting villages in Juye County, Shandong Province and taking Liu Guan-tun village Juye Dongguan town, Hongmiao village Chengguan Town and Wangliu Village Dushan Town as a case, this article investigates the history of peasant paintings in Shandong and village development Status and discusses the protection of art form of peasant painting and the development of industries. The anthropological interpretation of Juye Peasant painting aims to explore the protection and development strategies of traditional folk art in the process of urbanization.

关 键 词：巨野 农民画 人类学 城镇化 民间美术 

分 类 号：J219[艺术—美术]