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作 者:袁姝丽[1]
机构地区:[1]西南民族大学艺术学院
出 处:《民族学刊》2014年第6期46-51,106-107,共8页Journal of Ethnology
基 金:国家社会科学基金艺术学重点项目"中国少数民族剪纸艺术传统调查研究"(项目编号:09AF006)阶段性研究成果;教育部人文社会科学研究青年基金项目"藏彝走廊地区民族民间传统手工艺文化遗产廊道研究"(项目编号:12YJC760108)阶段性研究成果;四川师范大学多元文化中心重点项目(项目编号:DYWH1103)阶段性研究成果
摘 要:羌族剪纸是羌族文化艺术的精华。经历了2008年"汶川大的地震"、灾后重建、城镇化发展之后,羌族剪纸的"文化语境"正发生着较大变化。以茂县羌族剪纸为例,其变化的外部原因包括现代流行服饰的融入、自然灾害、城镇化进程以及茂县手画花样市场的兴起对花样剪纸的冲击等,而内部原因则表现为传统习俗的变化、宗教祭祀的淡化及服饰审美观念的变化等。因此,羌族剪纸传承和发展需注意处理好传承与传播、活态与活用、变与不变等关系。The original meaning of " cultural context" refers to the socio -cultural background relating to language communication. The cultural context of the Qiang art of paper - cutting in Mao county discussed in this article refers to those spe- cific socio - cultural living conditions, and living patterns which relate to the Qiang art of paper- cutting in Mao county. It includes the paper cutters' language, behavior, habits, ethnic psy- chology, as well as all the established specifica- tions needed for doing paper - cutting in Qiang so- ciety. The specific "cultural context" in the Qiang region of Mao county gave birth to the specific ar- tistic characteristics and style of Qiang paper - cut- ting. However, the changes in their natural world and the cultural ecological environment led to changes in the "cultural context" which has influ- enced both the tradition and development of con- temporary Qiang paper - cutting. This article ar- gues that the causes for the change of the "cultural context" of Qiang paper - cutting in Mao county mainly come from external and internal factors.
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